Nelly Ating, Audrey Albert, Ffion Denman, Patricia Hayes, Thierry Mandarin, Geraldine Lublin

Image courtesy of UWC-Robben Island Mayibuye Archives

In conjunction with the exhibition Alteration, this symposium Unmasking the Past provides an extended analysis of the archival activation each artist employed in the production of their work by examining the themes of colonialism, identity, citizenship, and non-citizenship in contemporary times. We aim to connect levels of distortion through the exploration of how images and objects have been used throughout history, thus bringing together the various levels of distortion. However, this does not change the fact that a distorted picture of history cannot be reframed in a new light. While the content of these images and objects holds meaning, their physical form and how they are presented are also important as historical records that hold significance in society. While the exhibition aims to challenge the re-imagination of the gallery as part of Alteration, an integral part of Unmasking the Past is to foster live collaboration between practice-based artists and historians. Artists will discuss their work and then scholars respond to these themes or areas of focus as they interest them. As a result of these discussions, we connect histories in a cross-scholarly exchange that allows ideas and opinions to freely flow.

Schedule:

11.30am Doors open

12pm (prompt) Welcome from Siân Addicott and Nelly Ating

12.15 pm Beyond the Frame: Passport Photographs and State Control
Speakers: Nelly Ating and Professor Patricia Hayes

1pm Comfort break

1.15pm Matter Out of Place: Chagos Islands
Speakers: Audrey Albert and Thierry Mandarin

2pm Comfort break

2.15pm Welsh Communities in Patagonia
Speakers: Ffion Denman and Dr Geraldine Lublin

3pm Talks finish; gallery doors close at 5pm.

This event is free and open to all. Booking is preferred but not essential.